The second part in our series on the Abdication crisis of 1936.
Edward VIII ascends the throne and immediately begins a subtle but determined campaign to position Wallis Simpson as his consort.
But even without the dangers posed by Wallis, Edward soon begins to ruffle feathers. Among government, fears abound around the new King’s reliability, capability and political instincts.
This episode again sees Royal commentator James Taylor team up with RHG founder, Gareth Streeter to discuss the unfolding crisis. It also features a guest interview with Adrian Phillips, author the “The King who had to go”.
We discuss:
The circumstances of Edward’s ascension and his immediate decision to break protocol by watching his own proclamation with Wallis
Concerns about the new King’s reliability and work ethic
The early intervention of Cosmo Lang and Edward’s relationship with this seasoned Archbishop of Canterbury
The politics of the 1930s and the circumstances that made Edward’s German sympathies more difficult to manage
A potential plot to assassinate the King?
Wallis Simpson’s first steps in divorcing her husband Ernest
Unfortunately, there are a few moments in this episode where there is bit of feedback sound. RHG apologies for this but wants to reassure you that such distractions only crop up a few times and last for just a few seconds.
The love affair between Edward VIII and Mrs Simpson could never have been a truly private matter. But when their relationship began in 1934 few could have predicted that it would lead to Britain’s most recent Royal Revolution.
This is the first episode of our series on the Abdication crisis of 1936. It forms season one of our “Royal Revolutions” podcast.
Royal commentator James Taylor once again joins RHG founder, Gareth Streeter. They discuss:
The upbringing and early lives of Edward and Wallis
Life in the early twentieth century Royal family
George V and Queen Mary’s parenting skills
The character, personality and limits of the dashing but dangerous Edward, Prince of Wales
The Prince’s love affairs with Freda Dudley Ward and Thelma Furness
Wallis and Edward’s meeting and early relationship
The King and Queen’s reactions
Wallis and her husband Ernest’s motivations for tangling with the Prince
Today marks the paperback release of “Spare” – the tell all biography written by the Duke of Sussex.
It’s now been some years since the Duke and Duchess of Sussex announced their decision to step back as working members of the Royal family. Now that the dust – to at least some extent – has settled – it’s possible to review that decision, and the controversies that followed with an open mind and a level head. In this two-part podcast, this is what we have tried to do.
In part 1, Royal commentator James Taylor and history writer Gareth Streeter discuss:
Harry and Meghan’s engagement and initial clash with the media
The Royal wedding and the huge optimism that surrounded it
The couple’s early married life as working Royals
Their decision to step back
The “Sandringham summit” and the Royal family’s response
The controversial Oprah Winfrey interview
How Royal titles work and the reason that the couple’s children were not initially a Prince and Princess
In part 2 we discuss:
The Netflix series and the background (as far as we understand it) of the deal
The treatment of the Duchess of Sussex in aspects of the UK media and how this compares with the way the Princess of Wales is discussed
The importance of source criticism in dealing with any media
The book Spare, and why Gareth got too angry to finish it
Harry’s bravery and honesty in being vulnerable about his mental health
The book’s strengths and weaknesses
These episodes are also available from wherever you get your podcasts.
New podcast episode: did the Princes in the Tower...
Why was Elizabeth Woodville banished from court?
Leaps of logic and forced conclusions: my take on...
The singular wit of the Queen Mother: Gareth Russe...
RHG creator releases new book on Arthur, the forgo...
I’m not gonna lie. The Crown is one of the best things to hit screens in a generation.
I was hooked within minutes of it “dropping” in 2016. Season one was almost flawless. Its successor gave a Royal history geek almost everything they could wish for. And, following a shaky third series, season four saw the show rebound with a right-royal gusto.
But there are big problems.
With historical fiction, the clue is in the name. It does not need to follow all the facts. Those that know a great deal about the period must turn a blind eye to poetic license and dramatic liberties.
But there must be some boundaries. When scriptwriters entirely distort the character or reputation of a real human being, they have gone beyond what is acceptable. This applies to dramatizations of the medieval era. But it has a special importance when the people in question are still alive.
Here are just four of the occasions where the Crown season four crossed the line.
The Balmoral tests
In the second episode, the newly elected Margaret Thatcher and her husband Dennis travel to Balmoral to spend time as the guests of the Queen. Here they are subjected to the “Balmoral tests”. This series of secret challenges allows the Royal family to judge whether a newcomer fits in with their way of life.
In the episode, the Thatchers fail spectacularly. Being from more humble stock, Margaret is ignorant of upper-class country life. She turns up in the wrong kit, over-dresses for pre-dinner drinks and is unfamiliar with the parlour games the Royals revel in. Rather than help Margaret address her “shortcomings” the Royal family delight at her ignorance. The deer hunt, it would seem, is not the only blood sport they excel at.
What rot.
There’s no doubt that the two women were from radically different backgrounds. The show’s creators had every right to draw attention to that. And that’s hard to do visually. Both spoke with a posh voice and wore expensive clothes. Stressing the difference in custom and etiquette was, in some ways, a clever device for emphasising the difference in upbringing.
But it was exaggerated almost to the point of caricature. Thatcher did not just step out of her father’s humble shop in Grantham and walk into Downing Street. She had studied at Oxford, sat as an MP for twenty years and served as a cabinet minister. She was not totally ignorant of the upper classes.
Yes, Thatcher probably didn’t look forward to her trips to Balmoral. Her authorised biographer, Charles Moore, wrote that she ‘endured’ rather than ‘enjoyed’ the visits. And she may, on one occasion, have brought the wrong shoes. But to suggest that her entire first trip was an act of sabotage by the Royal family flies in the face of the widespread testimony that they go to some length to ensure people are comfortable in their presence.
After leaving office, Margaret Thatcher spoke lavishly about the Queen’s humanity. And what, specifically, did the former Prime Minister praise in interview after interview? The Queen’s ability to “put people at their ease.”
2. The callous Queen Mother and her hidden nieces
I haven’t enjoyed the portrayal of Queen Elizabeth, the Queen Mother in any of the Crown’s four seasons. The former Elizabeth Bowes-Lyon is well attested to have been warm, bubbly and fun loving. That’s yet to come across.
But in episode seven, her portrayal goes from cold to outright cruel. Princess Margaret discovers that her maternal cousins, long thought dead, were secretly living in a mental institution. Margaret later confronts her mother. Under duress, the dowager Queen reveals that her nieces were hidden from view upon George VI and Elizabeth ascending the throne. It could never be known that there was mental instability within her family. Such knowledge would have threatened the security of the monarchy.
Seriously?
Fortunately, historian Gareth Russell has stepped up to the plate. In a compelling facebook post he points out that the dates simply don’t add up. The Queen Mother became Queen in 1936. Her nieces were not placed into an institution until 1941.
Russell also points out that Elizabeth was from a large family. Her brother was much older. She probably believed that her nieces had died and had no idea they were still alive until she was in her 80s. Once it was brought to her attention, she sent money to the home where they lived.
Changing facts can be acceptable in fiction. Sometimes it’s necessary to make the narrative flow. But maligning a real person in the process can never be acceptable.
3.Thatcher asking the Queen to dissolve Parliament in 1990
Before the season aired, I was worried about the portrayal of Thatcher’s relationship with the Queen. But, barring the Balmoral tests, it was much better presented than I expected.
The two women were the same age, but from different walks of life. They didn’t particularly understand one another. But there was mutual respect.
But I was taken aback when, during her conflict with her own MPs, Margaret Thatcher asked the Queen to dissolve Parliament. In the UK, dissolving Parliament (which prior to 2010 was something that happened under the Royal prerogative but at the request of the Prime Minister) means calling a general election. In a general election, all MPs, and therefore the Prime Minister, is up for re-election.
However, I think the series writers were confusing this with “proroguing Parliament.” This is when Parliament ceases to sit until the beginning of its new session but the government remains in place. It is implied in the series, that without trouble from her pesky MPs, Thatcher could survive.
It is not credible that Thatcher would try and drag the Queen into an internal party dispute. Besides, Thatcher was facing an election for leadership of the Conservative Party. Getting rid of Parliament would have been no help to her. It was not a Parliamentary process.
In the context of fiction this is probably acceptable. It shouldn’t really be on my list. But it irked me. So it’s staying put.
4.The relationship between Charles and Diana
As someone that grew up in the 80s and 90s, I have heard every rumour about the relationship of the Prince and Princess of Wales that there is to tell. In reality, only a handful of people ever knew the truth of it.
The Crown made the creative decision to base the series on the often-rumoured premise that Charles never really ended his relationship with Camilla. This may be true. Or it might be, as others have claimed, that he did not reignite the affair until Diana had already started committing adultery. We just don’t know.
Fiction does not have footnotes. I understand that they had to go one way or another. And some of the portrayal is clearly based on the legendary tapes that Diana indirectly supplied to Andrew Morton.
But at the very least, it’s still only one side of the story. Much more effort should have been made to show balance. Diana’s own family have been uneasy with the portrayal of her in the series.
Throughout season four Charles comes across as petulant and unlikeable. Yet, no one is a two-dimensional character. The writers of the Crown cannot know the truth. Greater care, balance and generosity should have been shown.
*
“Oh come on,” I hear you cry. “The Crown is fiction. It’s not their fault if people believe it.”
Yes. And no. The Crown includes encyclopaedic-style facts at the end of episodes. This suggests it is grounded in fact. They refuse to include a disclaimer (which, by the way, are common when shows depict the lives of real people).
And regardless of whether people should believe it, it is clear that people do believe it. Many (including those who are well educated) simply believe that “if it wasn’t true, they wouldn’t be allowed to put it on TV”). Producers know this. The fact it’s “based on truth” is something that adds to the appeal and bolsters viewing figures.
The Crown is brilliant TV. The attention to detail is outstanding. It deserves every award it receives and more besides. But adding a tiny disclaimer would do nothing to diminish its success. And it might do everything to protect real people from a distorted reputation.
Royal History Geeks caught up with Dr Owen Emmerson, residents historian and castle supervisor at Hever Castle.
The magnificent Hever Castle was the home of Anne Boleyn. We spoke to Owen about the huge role it has played in history and its importance in the lives of legendary figures.
We also talked about Hever’s vast collection of portraiture and explored the elusive question of what Anne Boleyn may have actually looked like.