QM
The singular wit of the Queen Mother: Gareth Russe...
Arthur Prince of Wales, Gareth Streeter
RHG creator releases new book on Arthur, the forgo...

Four problems with the Crown, season four

I’m not gonna lie.  The Crown is one of the best things to hit screens in a generation.

I was hooked within minutes of it “dropping” in 2016.  Season one was almost flawless.  Its successor gave a Royal history geek almost everything they could wish for.  And, following a shaky third series, season four saw the show rebound with a right-royal gusto.

But there are big problems.

With historical fiction, the clue is in the name.  It does not need to follow all the facts.  Those that know a great deal about the period must turn a blind eye to poetic license and dramatic liberties. 

But there must be some boundaries.   When scriptwriters entirely distort the character or reputation of a real human being, they have gone beyond what is acceptable.  This applies to dramatizations of the medieval era.  But it has a special importance when the people in question are still alive.

Here are just four of the occasions where the Crown season four crossed the line.

Did the Royals really subject visitors to the ‘Balmoral tests’?
  1. The Balmoral tests

In the second episode, the newly elected Margaret Thatcher and her husband Dennis travel to Balmoral to spend time as the guests of the Queen.  Here they are subjected to the “Balmoral tests”.  This series of secret challenges allows the Royal family to judge whether a newcomer fits in with their way of life.

In the episode, the Thatchers fail spectacularly.  Being from more humble stock, Margaret is ignorant of upper-class country life.   She turns up in the wrong kit, over-dresses for pre-dinner drinks and is unfamiliar with the parlour games the Royals revel in.  Rather than help Margaret address her “shortcomings” the Royal family delight at her ignorance.  The deer hunt, it would seem, is not the only blood sport they excel at.

What rot.

There’s no doubt that the two women were from radically different backgrounds.  The show’s creators had every right to draw attention to that.  And that’s hard to do visually.  Both spoke with a posh voice and wore expensive clothes.  Stressing the difference in custom and etiquette was, in some ways, a clever device for emphasising the difference in upbringing.  

But it was exaggerated almost to the point of caricature.  Thatcher did not just step out of her father’s humble shop in Grantham and walk into Downing Street.  She had studied at Oxford, sat as an MP for twenty years and served as a cabinet minister.  She was not totally ignorant of the upper classes.

Yes, Thatcher probably didn’t look forward to her trips to Balmoral.  Her authorised biographer, Charles Moore, wrote that she ‘endured’ rather than ‘enjoyed’ the visits.  And she may, on one occasion, have brought the wrong shoes.  But to suggest that her entire first trip was an act of sabotage by the Royal family flies in the face of the widespread testimony that they go to some length to ensure people are comfortable in their presence. 

After leaving office, Margaret Thatcher spoke lavishly about the Queen’s humanity.  And what, specifically, did the former Prime Minister praise in interview after interview?  The Queen’s ability to “put people at their ease.”

Why is the Queen Mother portrayed as cold and callous?

2. The callous Queen Mother and her hidden nieces

I haven’t enjoyed the portrayal of Queen Elizabeth, the Queen Mother in any of the Crown’s four seasons.  The former Elizabeth Bowes-Lyon is well attested to have been warm, bubbly and fun loving.  That’s yet to come across.

But in episode seven, her portrayal goes from cold to outright cruel.  Princess Margaret discovers that her maternal cousins, long thought dead, were secretly living in a mental institution.  Margaret later confronts her mother.   Under duress, the dowager Queen reveals that her nieces were hidden from view upon George VI and Elizabeth ascending the throne.  It could never be known that there was mental instability within her family.   Such knowledge would have threatened the security of the monarchy.

Seriously?

Fortunately, historian Gareth Russell has stepped up to the plate.  In a compelling facebook post he points out that the dates simply don’t add up.  The Queen Mother became Queen in 1936.  Her nieces were not placed into an institution until 1941. 

Russell also points out that Elizabeth was from a large family.  Her brother was much older.  She probably believed that her nieces had died and had no idea they were still alive until she was in her 80s.  Once it was brought to her attention, she sent money to the home where they lived.

Changing facts can be acceptable in fiction.  Sometimes it’s necessary to make the narrative flow.  But maligning a real person in the process can never be acceptable.        

3. Thatcher asking the Queen to dissolve Parliament in 1990

Before the season aired, I was worried about the portrayal of Thatcher’s relationship with the Queen.  But, barring the Balmoral tests, it was much better presented than I expected. 

The two women were the same age, but from different walks of life.  They didn’t particularly understand one another.  But there was mutual respect.

But I was taken aback when, during her conflict with her own MPs, Margaret Thatcher asked the Queen to dissolve Parliament.  In the UK, dissolving Parliament (which prior to 2010 was something that happened under the Royal prerogative but at the request of the Prime Minister) means calling a general election.   In a general election, all MPs, and therefore the Prime Minister, is up for re-election. 

However, I think the series writers were confusing this with “proroguing Parliament.”  This is when Parliament ceases to sit until the beginning of its new session but the government remains in place.  It is implied in the series, that without trouble from her pesky MPs, Thatcher could survive.

It is not credible that Thatcher would try and drag the Queen into an internal party dispute.  Besides, Thatcher was facing an election for leadership of the Conservative Party.  Getting rid of Parliament would have been no help to her.  It was not a Parliamentary process.

In the context of fiction this is probably acceptable.  It shouldn’t really be on my list.  But it irked me. So it’s staying put.

The series failed to show balance in the “wars of the Waleses”

4. The relationship between Charles and Diana

As someone that grew up in the 80s and 90s, I have heard every rumour about the relationship of the Prince and Princess of Wales that there is to tell.  In reality, only a handful of people ever knew the truth of it.

The Crown made the creative decision to base the series on the often-rumoured premise that Charles never really ended his relationship with Camilla.  This may be true.  Or it might be, as others have claimed, that he did not reignite the affair until Diana had already started committing adultery.  We just don’t know.

Fiction does not have footnotes.  I understand that they had to go one way or another.  And some of the portrayal is clearly based on the legendary tapes that Diana indirectly supplied to Andrew Morton.

But at the very least, it’s still only one side of the story.  Much more effort should have been made to show balance.  Diana’s own family have been uneasy with the portrayal of her in the series.

Throughout season four Charles comes across as petulant and unlikeable.  Yet, no one is a two-dimensional character.  The writers of the Crown cannot know the truth.  Greater care, balance and generosity should have been shown.

*

“Oh come on,” I hear you cry.  “The Crown is fiction.  It’s not their fault if people believe it.”

Yes.  And no.  The Crown includes encyclopaedic-style facts at the end of episodes.  This suggests it is grounded in fact.  They refuse to include a disclaimer (which, by the way, are common when shows depict the lives of real people).

And regardless of whether people should believe it, it is clear that people do believe it.  Many (including those who are well educated) simply believe that “if it wasn’t true, they wouldn’t be allowed to put it on TV”).  Producers know this.  The fact it’s “based on truth” is something that adds to the appeal and bolsters viewing figures.

The Crown is brilliant TV.  The attention to detail is outstanding.  It deserves every award it receives and more besides.  But adding a tiny disclaimer would do nothing to diminish its success.  And it might do everything to protect real people from a distorted reputation.

Subscribe to our newsletter!

Posted in <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a>, <a href="https://www.royalhistorygeeks.com/category/windsor/" rel="category tag">Windsor</a> 6 Comments

WATCH: Dr Owen Emmerson on the history of Hever Castle

Royal History Geeks caught up with Dr Owen Emmerson, residents historian and castle supervisor at Hever Castle.

The magnificent Hever Castle was the home of Anne Boleyn.  We spoke to Owen about the huge role it has played in history and its importance in the lives of legendary figures.

We also talked about Hever’s vast collection of portraiture and explored the elusive question of what Anne Boleyn may have actually looked like.

Subscribe to our newsletter!

Posted in <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a> Leave a comment

WATCH: The real Margaret Beaufort with Nicola Tallis and Nathen Amin

Lady Margaret Beaufort was the mother of Henry VII.  She played a vital role in establishing the Tudor dynasty on the throne of England.  In recent years, she has been much maligned in popular fiction.

I am joined by two authors and experts to discuss the real Margaret Beaufort.  How accurate are the depictions we see in fiction?  What were her real qualities?  What is her legacy?

Nicola Tallis is the author of ‘Uncrowned Queen’, a recent full-length biography on Margaret.  Buy Nicola’s wonderful book

Nathen Amin is the founder of the Henry Tudor Society and author of ‘The House of Beaufort.’  Check out his amazing biography of Margaret’s family.

Subscribe to our newsletter!

Posted in <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a> Leave a comment

3 reasons why Anne of Cleves probably wasn’t that ugly

The portrait of Anne helped Henry make up his mind to marry her

Ever get that feeling that people are making fun of your appearance behind your back?  If so, spare a thought for poor Anne of Cleves.  She’s been trying to shake off that feeling for almost 500 years.

Anne and Henry VIII’s non-love story is well known to most Royal History Geeks.  After the death of his beloved Jane Seymour, Henry allowed his ministers to open international negotiations for a new bride.  Each minister had their own political and religious agenda.  Cromwell eventually triumphed by convincing Henry of the virtues of an alliance with the almost-protestant province of Cleves.  The beauty of its princess was a major draw.  Hans Holbein, the great artist of the Tudor court, was dispatched to Cleves to paint Anne’s portrait.  The result did not disappoint.  Henry fell instantly in love.

But his delusions were quickly shattered.

Upon meeting his new bride, Henry expressed dismay.  “I like her not,” he is supposed to have proclaimed.  While it was too late to postpone the nuptials, he quickly informed his doctor that the union remained unconsummated.  He complained that Anne had been unable to arouse him and that her body was undesirable.  Even her personal hygiene, Henry suggested, left much to be desired.  He never actually used the term ‘Flanders mare’ to describe her.   But it’s easy to see why it stuck. 

Anne’s side of the story remains a mystery.  It’s possible that she was no great beauty.  Most people aren’t.  But there are several reasons to think that she was far from ugly.  Here’s just a few of them.

  1. When Henry met her, he kissed her

Upon arriving in England, Anne believed she had several days to prepare herself for meeting the King.  But an infatuated Henry couldn’t wait.  Accompanied by five of his councillors, he went to Anne disguised as a messenger, bearing a gift from the King.

The cultivated Katherine of Aragon or the sophisticated Anne Boleyn would have recognised straight away that this was a courtly game.  The messenger was clearly her knight in disguise and her heart should recognise him at once.  Sadly, no one had prepared Anne of Cleves for the courtly culture of England.  When the ‘messenger’ grabbed and kissed her, she was reportedly ‘abashed’.  She proceeded to treat him as a servant and largely ignored him.

This is the moment it all went wrong for Henry and Anne.  She had demonstrated her cultural ignorance.  He had been publicly humiliated.  What is less often remarked upon, is Henry’s initial reaction to Anne.  He had fallen in love with her portrait and was said to be disappointed with the real thing.  Yet, his first action upon meeting her was to grab her and kiss her.  Was he just swept up in the moment?  Or, when he first set eyes on the Princess, did he conclude that she was eminently grabbable and kissable?

2. Anne seemed to think she was more attractive than Katherine Parr

While Anne was surely happy to escape certain aspects of her marriage, there are signs that she felt slighted when Henry did not take her back after the fall of Katheryn Howard.  When it was announced that the King was to marry Lady Latimer (better known to us as ‘Katherine Parr’) Anne was heard to remark that she was a good deal more attractive than the Queen to be.

Obviously, the fact Anne thought positively about her appearance doesn’t mean that others agreed.  We can all delude ourselves.  But it should be noted that the imperial ambassador Chapuys, who reported these remarks, was quite capable of adding his own opinions to his observations.  If he had felt that Anne was deluded, he might well have mentioned it.

Other depictions of Anne suggest the Holbein portrait was flattering, but not outlandishly so

3. Holbein was never punished for the portrait of Anne

As we know, Henry fell in love with a portrait.  Given his reaction to Anne once they met, it is often assumed the painting must have been deliberately distorted.   Yet, Hans Holbein, the artist behind the miniature that captivated Henry’s heart, remained in favour.  He stayed on the King’s payroll and went on to paint another portrait of Henry. 

Holbein may have embellished a little.   That was to be expected.  Alison Weir has also noted that, when compared to some of Anne’s other portraits, it’s clear that Holbein chose to paint Anne at her most flattering angle.  But there’s a difference between a flattering picture and a fake one. 

*

Ultimately Henry and Anne lacked one crucial ingredient: chemistry.  That concept which is so hard to define yet so essential for the blossoming of romance.  Though he would never have used the word, it was an important concept to the King.  He had built up such an impression of Anne in his head.  He had fallen in love with a woman that didn’t exist.  She had failed her first courtly challenge.  They were doomed from the start.

In later years, a friendship emerged.  They ate together and talked.  Henry seems to have enjoyed her company.  She may have felt the same.  Perhaps if the circumstances had been different and Henry had been allowed to fall for her freely as he had all the other loves of his life, history would have taken a different turn.

Subscribe to our newsletter!

Posted in <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a> Leave a comment

5 alternative theories about the Princes in the Tower (and why they’re all wrong)

The fate of the princes in the tower remains a mystery 500 years later

Shortly after becoming King in 1483, the 12-year-old Edward V was lodged in the Tower of London to await his coronation.  His uncle and Lord Protector, the Duke of Gloucester soon arranged for the young King’s brother, Richard, Duke of York, to join them.  

But the day of the coronation never came.  Instead, it was announced that the boys were illegitimate – the result of a bigamous marriage – and that their Uncle would reluctantly reign as Richard III.  In the weeks that followed the boys were seen playing in the grounds or looking out of windows.  But such sightings soon stopped.  By the end of the year, they were widely presumed to be dead.

To the minds of many historians, the circumstantial evidence weighs heavily toward Richard’s guilt.  He had the motive, means and opportunity.  The Princes were in his custody.  But if Richard is the most likely candidate, he is hardly the only one.  A host of others have been accused of the crime over the past five centuries.  Some who have studied the subject, don’t believe the boys died at all.  And there is no hard evidence that they did.

No one wants to believe that an uncle could order the death of his nephews.  Any alternative theories are going to be attractive.  But when we start to scrutinise those on offer, each can, sadly, be found wanting.

Let’s take a quick look at them.

Could the Princes’ mother have cut a deal with Richard III?

1. The Princes in the Tower were never killed

I would love this to be true.  Even 500 years later, the thought of what might have happened to those boys is chilling.  Could they have escaped a brutal end?  Might they have exchanged sovereignty for survival?

Sadly, I think it’s unlikely.  The theories range from Richard stashing the Princes somewhere else to a secret deal between Elizabeth Wydeville and her brother-in-law.   Secret identities and alternative careers as construction workers in Colchester are all offered as possibilities.

Others still, argue that someone sympathetic to the Princes managed to smuggle one or both from the Tower to safety.  Many would identify the imposter Perkin Warbeck as Richard, Duke of York, believing that the younger boy had somehow escaped his uncle’s custody.  Could the man sent to do the deed have taken mercy on him?

The belief that Richard had killed the Princes cost him dear.  Some could accept him as King but never tolerate child murder.  An unlikely coalition formed against him.  The remnants of Lancaster and supporters of his late brother, united against Richard’s reign.  Ultimately, they would take his life and his crown at Bosworth Field.  Had Richard been able to produce the Princes, this shaky alliance would have fractured immediately.

So why didn’t he?  That the boys were dead, and could not therefore be produced, is not the only explanation.  But it is, sadly, the most likely one.

One day, we may be allowed to DNA test the bones that were discovered in the Tower in 1674.  Should they be identified as those of the Princes, we will at least be sure that they died in the tower in the 1480s.

At the moment, we can’t draw too many conclusions from what we know of the skeletons.  But I will say this: the discovery of two skeletons, of children roughly the same age as the Princes in 1483, discovered exactly where Thomas More claimed they were buried, hardly detracts from the argument that the boys met their end that year.

2. The Duke of Buckingham did the deed to frame Richard, or to further his own claim to the throne

To my mind, this is the best alternative theory.  It’s certainly peculiar that Buckingham had been Richard’s staunchest supporter until he – somewhat suddenly – decided to spearhead a rebellion.  It may have been him that spread the rumours that the Princes were dead.  But could he have killed them? 

Some say that given his closeness to Richard, he was the only person that could have gained access.  I have some sympathy with that.  But even in this scenario, the King would have found out pretty sharpish.  Surely when he finally got his hands on the Duke, he would have publicly accused him.   It would have been the perfect solution for Richard.  His rivals would have been eliminated.  He would have been free from blame.  He would emerge as both legitimate King and grieving Uncle.

3. Seeing an opportunity for her son, Margaret Beaufort had the Princes done away with in 1483

Many on social media hold Lady Margaret Beaufort responsible for the Prince’s murder

This theory is popular on social media but not entertained by most historians.  I’ve blogged about why I think it has little weight elsewhere

Fundamentally, however much the Countess of Richmond was ambitious for her son, she wouldn’t have had access to the Princes in the Tower.  They were guarded by Richard’s men and she had nothing to bribe them with which was more attractive than the rewards offered by service to the King.

4. Henry VII, after his victory at Bosworth, had the Princes murdered

The first Tudor King has regularly been named as an alternative suspect.  But there are problems with this.  Firstly – and I refer readers to arguments earlier in the article – it relies on the Princes being alive until 1485, something which as I have demonstrated, seems unlikely. 

And what about Henry’s reaction to the pretender Perkin Warbeck?  Was he convinced that this man wasn’t truly Richard, Duke of York?  Some historians believe there was doubt in his mind.   A murderer would know the boys were dead.  Henry may not have enjoyed that confidence.

5. The boys died of natural causes

Edward V was being visited by a physician while in the Tower (before Richard removed his attendants).  Forensic investigations of the skeletons have shown some problems with the elder child’s jaw.  I’ve never known anyone die of jaw ache, although it could have been a symptom of something more serious.

But even if the elder boy had died, isn’t it a bit too convenient to think the younger had followed suit?  Had this gift been handed to Richard, surely he would have made use of it.

*

In a court of law, it would be unfair to convict someone by process of elimination.  The fact that these scenarios are unlikely to have played out, doesn’t make Richard guilty.

DNA testing of the bones may be able to confirm in the boys died in the tower.  But even that won’t tell us who killed them.  The truth is, we will never know for sure.

But as we begin to scrutinise all the alternative theories, we start to see their limits.  While recognising that we cannot be 100% certain, the finger of suspicion inevitable points again toward the man who took both Prince’s into custody, placed them in a high-security prison and, despite damaging rumours of their murder, never produced the boys to counter them. 

That man is Richard III.

Subscribe to our newsletter!

Posted in <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a> 11 Comments

Lockdown must-reads #10: The Mountbattens by Andrew Lownie

Let’s be honest: lockdown sucks!  But it does mean there’s more time for reading.  Over the next couple of weeks, I will review 10 books which all Royal History Geeks should add to their reading list

I have no memory of the famous assassination of Louis ‘Dickie’ Mountbatten.  It took place three years before my birth and was never something mentioned at school.  Yet, growing up in a coastal city with strong naval presence, his name was one I knew well.  The pub at the end of my road was even named after him.

Perhaps it was for these reasons that I decided, aged about 15, that he was my favourite minor royal of the 20th Century.  Yes, you’re right.  I was a super-cool teenager.

Discovering my interest, some friends of my parents procured me a book about the late Earl when they passed a charity shop.  It was a kind gesture.  But the book was second hand and dusty with yellow peeling pages.  More worryingly the contents were dry and – most unwelcoming to a teenager – almost entirely reverential.

Such a book could simply never do justice to the scandalous Earl Mountbatten of Burma.  It certainly failed to capture the spirit of Edwina, his equally sensational Countess.  And, with thanks to a dial up modem and the early days of the internet, I soon found out just how much my dusty manuscript had been missing.

‘The Mountbattens’ by Andrew Lownie is an altogether more vibrant, more honest and more satisfying account.  A collective biography of the couple, it’s 388 pages explore their personal and public adventures in glorious – and occasionally graphic – detail.

The book guides us through the lives of both protagonists in parallel up until the point they meet and marry.  For many Royal History Geeks, the early adventures of Dickie – or His Serene Highness Prince Louis of Battenburg, as he was known for the first 17 years of his life – will more immediately pique interest.  It was he that had the royal connections and it was he that was closer to the famous events of that era that many of us will recognise.

As the narrative progresses however, Edwina and her story more than hold their own.  Not one to take a back seat, the wealthy heiress never risks becoming a supporting character.  The pages that explore her relationship with Jawaharlal Nehru, India’s first prime minister, are among the most tantalising in the book. 

The Mountbattens were at the centre of major events ranging from world wars to royal weddings.  But their role in delivering the independence of India will be the one that history remembers.  And their actions in this role, the ones that historians will judge.  Current analysis tends to be kind to the couple.  The author seems to agree.

Despite the high drama of their combined career, the book’s most intriguing pages are those that touch on the personal.  I had always known that the Mountbatten’s ‘enjoyed’ an open marriage.  But I’d failed to realise was that this was initially to accommodate Edwina’s desires and interests.  Dickie, Lownie tell us, was hurt by his wife’s distance and adultery.  It would, however, be an arrangement that the Earl would more than grow in to.

Whatever the ups and downs of their relationship, their parting was a painful one.  Lownie describes Edwina’s quiet death and Dickie’s grief with perfect poignance.  In contracts, Dickie’s assassination in 1979 is detailed with the drama it deserves. 

The rumoured bisexuality of Louis Mountbatten is explored at length.  The author seems convinced that evidence for homosexual behaviour exists and his presentation of said evidence is certainly compelling.  While this is hardly likely to ruffle many feathers with the modern reader, darker accusations of under-age sexual encounters exist.  The author does not dismiss them.

Throughout the book, the slow transformation of Prince Louis of Battenburg and Miss Edwina Ashley to the Earl and Countless Mountbatten of Burma is told with a pacey, compelling tone and accessible language.  It is perfectly suited to those who already know much about the controversial couple and to Royal History Geeks that have never come across them before.

The Mountbattens are still figures of living memories.  It is probably too early to measure their impact and assess their legacy.  But as this biography shows, their marriage, lives and career contain all the necessary ingredients to establish the couple as figures of interest for future generations.  Let’s hope that as tomorrow’s historians take up this mantle, they do so with the acute observations, careful analysis and skilful articulation of this biography.   

The Mountbattens: Their Lives & Loves by Andrew Lownie is available from Amazon.

However, please consider supporting your local book seller.  If you are based in the UK, search for your local book seller at the Book Seller Associations website.

Posted in <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a> Leave a comment

WATCH: Did Richard III kill the Princes in the Tower?

People often claim that Richard’s reputation was distorted by his Tudor successors. But by examining the source material from Richard’s own time, we can be relatively clear on the events of 1483. We can make a reasonable assessment as to what happened to the Princes in the Tower.

In this video I make a couple of slip ups. I say ‘Richard II’ when I mean ‘Richard III.’ I refer to a source as the third ‘edition’ of the Croyland Chronicle rather than the third ‘continuation.’ Oh dear. It’s a good thing I’m pretty.

Subscribe to our newsletter!

Posted in <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a> 2 Comments

Lockdown must-reads #5: Six Wives, by David Starkey

Let’s be honest: lockdown sucks!  But it does mean there’s more time for reading.  Over the next couple of weeks, I will review 10 books which all Royal History Geeks should add to their reading list.

“Divorced, beheaded, died.  Divorced, beheaded, survived.”

That’s about the sum of Tudor history I picked up at school.  Against the backdrop of a blackboard, a cold classroom and an uninspired teacher, the history of England seemed about as exciting as a wet weekend in Brighton.

But years later I would learn the truth.  That I was lucky enough to inhabit an island brimming with a history of  drama that even fiction writers would be unable to fabricate.  A big part of that realisation begun when, before a long train journey, I purchased a copy of the intrepid ‘Six Wives’ by David Starkey.

Starkey – as many will know – has an academic background.  The book is dense with research.  But there is not a dry paragraph in this 795-page epic.  I have read three collective biographies of the six Tudor Queens.  Starkey’s is the most readable.  Combining wit and a touch of sass with well-formed sentences and colourful language, the book is as gripping as a thriller.

The early pages follow Katherine of Aragon as she sets sail for a new life in England and marriage to Arthur, Prince of Wales.  It takes us through her destitute widowhood and her ultimate triumph upon marriage to the 18-year-old Henry VIII.  We explores her active role in government and regency of England before her marriage is doomed by a failure to produce a son, a prickling of the King’s conscience and the rise of Anne Boleyn.

The King’s ‘great matter’ (the divorce of Katherine and marriage to Anne) dominates the next section of the book.  Henry’s second Queen emerges as a wily and aggressive manipulator.  But Starkey is not without sympathy.  He is clear that she is not guilty of the crimes she loses her head for.  And, unlike some historians, he is not prepared to let Henry off the hook.

Jane Seymour emerges.  Jane Seymour gives birth.  Jane Seymour dies.  Anne of Cleves and Katherine Howard both give the reader an interesting interlude.  The book concludes with Katherine Parr, the canny reformer who published books, kept her head and briefly ruled England.

Starkey has shown great wisdom in the tome’s structure.  Implicitly he accepts that each Queen is not equal in significance.  Jane Seymour’s legacy is essentially confined to one act of childbirth.  Anne of Cleves and Katherine Howard are marginal in their impact.  The intellectual Starkey holds a torch for blue stocking Katherine Parr.  But it is Katherine of Aragon and Anne Boleyn who shaped the character of Henry, his actions as king and the fate of the nation.  Together they claim 73% of the book’s content.

Starkey is surely right to devote the bulk of the book to the first two Queen’s.  But as a result, the rest of the reigns feel a little like a flash in the pan.  But then, this is probably how they felt to contemporaries.

Because of the strong narrative, colourful language and modern colloquialisms, Starkey’s work has attracted criticism from other academics.  No doubt some of it is valid – though we must be mindful of the presence of the green-eyed monster.  But it is through writing in this accessible and compelling manner that Starkey and others have rescued the stories of Henry’s wives from the doldrums of the classroom.  They have inspired documentaries, historical fiction and other popular biographies. 

These women played their part in shaping our history.  Thanks to books like ‘Six Wives’, a popular appreciation of their significance continues to grow.

Six Wives, the Queens of Henry VIII, is available from Amazon.

However, please consider supporting your local book seller.  If you are based in the UK, search for your local book seller at the Book Seller Associations website.

Subscribe to our newsletter!

Posted in <a href="https://www.royalhistorygeeks.com/category/anne-boleyn/" rel="category tag">Anne Boleyn</a>, <a href="https://www.royalhistorygeeks.com/category/anne-of-cleves/" rel="category tag">Anne of Cleves</a>, <a href="https://www.royalhistorygeeks.com/category/book-review/" rel="category tag">Book review</a>, <a href="https://www.royalhistorygeeks.com/category/catherine-howard/" rel="category tag">Catherine Howard</a>, <a href="https://www.royalhistorygeeks.com/category/elizabeth-i/" rel="category tag">Elizabeth I</a>, <a href="https://www.royalhistorygeeks.com/category/jane-seymour/" rel="category tag">Jane Seymour</a>, <a href="https://www.royalhistorygeeks.com/category/katherine-of-aragon/" rel="category tag">Katherine of Aragon</a>, <a href="https://www.royalhistorygeeks.com/category/katherine-parr/" rel="category tag">Katherine Parr</a>, <a href="https://www.royalhistorygeeks.com/category/mary-i/" rel="category tag">Mary I</a>, <a href="https://www.royalhistorygeeks.com/category/tudor/" rel="category tag">Tudor</a>, <a href="https://www.royalhistorygeeks.com/category/uncategorized/" rel="category tag">Uncategorized</a> Leave a comment